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He upholds the status quo for the sake of duty and forfeits his personal pursuit as a compromise. He loved music, bought rare manuscripts, was a kind of art patron.The chorus introduces Creon in this manner as well: “That gray-haired, powerfully built man sitting lost in thought, with his little page at his side, is Creon, the King. He would while away whole afternoons in the antique shops of this city of Thebes.” Where Creon was an unrelenting leader at the will of the God’s fate for him in Sophocles’ Antigone, he is merely perpetuating the status quo for the sake of leadership in Anouilh’s version.While there are many factors which contribute to the modern relevancy of the play, I will discuss just two which appeal greatly to post-enlightenment thought.
I spit on your idea of life – that life must go on, come what may. I will not be satisfied with the bit of cake you offer me if I promise to be good little girl.
You are all like dogs that lick everything they smell. I want to be sure of everything this very day; sure that everything will be as beautiful as when I was a little girl. ” This idealism expressed in her argument against Creon’s way of life, still largely exists in the youth of our society, and is still an enduring debate among clashes with the older generation.
” This conflict between the two is expressed well in Anouilh’s Antigone.
Creon, the Uncle of Antigone can be seen as an ordinary person, one that does what is expected of him by society. When he was younger, when Oedipus was King and Creon was no more than the King’s brother-in-law, he was different.
The play was also interpreted to represent the struggle of the French Resistance movement against the forces of the Vichy government during the height of Nazi occupation; although Anouilh maintained an a-political stance regarding the appropriation of his play.
Along with Anouilh, writers and dramatist across Europe expressed a renewed fascination with Antigone and “it is perhaps no surprise that at the centre of the largest political upheaval the Western world had yet to see, Antigone was centre stage, embodying the base components of all humanity– rebellion, war, and conflict.” The large amount of reproductions begs the question; why is Antigone still relevant and enduring?
It still deals with fate, but not according to divine fate where your life is at the will of the Gods.
In fact, God is only mentioned a few times throughout the play.
Thus, the tragedy in Anouilh’s version comes down to an individual (Antigone) vs.
conformity or society (Creon) and her inglorious death exasperates the tragedy because there is no meaning behind her death when authority proves to overshadow the individuals demands.