From the nameless writhing vampires who attack Jonathan Harker, to the overly sexualized vampire-in-waiting Lucy Westenra, to the seemingly traditional Mina Harker, Stoker examines three divergent types of women, all of whom pose some threat to Victorian notions of social order and sexualized hysteria.When Stoker sets up feminine sexuality as diametrically opposed to femininity and does so in terms of insanity and monstrosity, he draws from a heritage that long reveres the idea of chaste, modest, non-sexual beings as the standard for Englishwomen and deviations from this norm as grotesque.
Although Dracula will not be found toting around a pitchfork, the other attributes can be likened to his character.
One will find that the novel states “The mouth, so far as I could see it, was fixed and rather cruel-looking, with peculiarly sharp white teeth…
Good Girls Gone Bad: The Perils of Feminine Sexuality In Fictions of Modesty: Women and Courtship in the English Novel, Ruth Bernard Yeazell writes that early English conduct books construct a parallel between immodesty and insanity, for as one manual intoned, "an Impudent woman is looked on as a kind of Monster; a thing diverted and distorted from its proper form" (5).
Dracula's brazen--and therefore monstrous--women do not adhere to standards of middle class morality, and Stoker gives us three very different portraits of womanhood, all of which play into Victorian anxieties about female sexuality and gender roles.
Simone de Beauvoir's The Second Sex (1949), Betty Friedan's The Feminine Mystique (1963), Ms.
Essay Win A Business - Dracula Antithesis Christianity
Magazine's first issue in 1972 in which Gloria Steinem famously put Wonder Woman on the cover, Susan Faludi's Backlash (1991), and more recent debates about Sarah Palm's footwear choices and Hillary Clintons pantsuits and political ambitions, indicates that the Woman Question is still with us and shows no sign of disappearing any time soon.
but was hurled down by the supreme ruler of the Babylonian Olympus." The fall from heaven motif also has a parallel in Canaanite mythology.
In ancient Canaanite religion, the morning star is personified as the god Attar, who attempted to occupy the throne of Ba'al and, finding he was unable to do so, descended and ruled the underworld.
So, in Dracula’s appearance, one will find further affirmation that Dracula may serve to represent the devil.
Dracula’s actions are also significant in explaining how he might represent the evil of the devil in that Dracula’s actions are perversions of Christian ideals or beliefs, just as the devil.