Essay Questions On Cosmetic Surgery

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Tudor “barber-surgeons” treated facial injuries, which as medical historian Margaret Pelling explains, was crucial in a culture where damaged or ugly faces were seen to reflect a disfigured inner self.At this time, racial science was concerned with “improving” the white race.In the United States, with its growing populations of Jewish and Irish immigrants and African Americans, “pug” noses, large noses and flat noses were signs of racial difference and therefore ugliness. Gilman suggests that the “primitive” associations of non-white noses arose “because the too-flat nose came to be associated with the inherited syphilitic nose”.A section of skin would be cut from the forehead, folded down and stitched, or would be harvested from the patient’s arm.A later representation of this procedure in Iconografia d’anatomia published in 1841, as reproduced in Richard Barnett’s Crucial Interventions, shows the patient with his raised arm still gruesomely attached to his face during the graft’s healing period.With the pain and risks to life inherent in any kind of surgery at this time, cosmetic procedures were usually confined to severe and stigmatised disfigurements, such as the loss of a nose through trauma or epidemic syphilis.The first pedicle flap grafts to fashion new noses were performed in 16th-century Europe.The report also refers to the non-surgical “paraffin wax” rhinoplasty, in which hot, liquid wax was injected into the nose and then “moulded by the operator into the desired shape”.The wax could potentially migrate to other parts of the face and be disfiguring, or cause “paraffinomas” or wax cancers.more Reality television shows based on surgical transformations, such as The Swan and Extreme Makeover, were not the first public spectacles to offer women the ability to compete for the chance to be beautiful.In 1924, a competition ad in the New York Daily Mirror asked the affronting question “Who is the homeliest girl in New York?

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