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The thesis examines the consequences of the Enlightenment and “Radical Enlightenment” (understanding the rise of the modern nation-state as a direct consequence of the 18th century’s yoking of history and nature) from the perspective of Japan and its encounter with modernity.Japan as a modern nation-state, neither part of the European Enlightenment nor colonized by its instruments, was able to initiate a unique discourse around the question of history and the concomitant issues of identity and nihilism.
Yet is a condition for which we secretly yearn; indeed it is the only condition through which an authentic becoming is possible.
Contrary to the view of many interpreters that Francis of Assisi (1181-1226) dabbled in church renovation for a few years following his first conversion experience in 1205, architecture remained a central preoccupation until his death in 1226.
Their survival in a landcape generated out of the Labyrinth -- and in clear rejection of Towers -- implies that the mode of dwelling and form of life which allow us to dwell authentically in our current condition involve, perhaps paradoxically, a critical (even playful) use of technology, an engagement with the strange/the foreign, and the navigation of a landscape which offers no simple homecoming.
This condition of dwelling is thrust upon us by postmodern circumstances.
With its hedge-bound monastery, it became the prototype for construction among his followers.
As the art of memory aimed at an ethics, so did his architecture strive to inspire communal good through narratives of compassion, voluntary penance and humility.
It is hoped that this research, through revealing the narrative functions of form, symbol, and order in a particular temple may illuminate the more general symbolic principles of Thai sacred architecture, whether by congruence or contrast.
More abstractly, unveiling Wat Pho’s narrative should assist in the revelation of the cultural sensibilities crucial to its host city and its historic form.
In disciplines where journals are not the primary form of scholarly communication, dissertations offer access to significant primary research that is not published in any other format and they surface seminal ideas from notable scholars.
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