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(I also had the pleasure of hearing him read this aloud during my school’s homecoming weekend, as Key is an alumnus of my now alma mater.)Sedaris’s humor is in a league of its own, and he’s at his best in the title essay from .
She says that after her stroke, “For a month, every moment of the day was like the moment upon wakening before you figure out where you are, what time it is.” With this personal essay, she draws readers into that fragmented headspace, then weaves something coherent and beautiful from it.
In this refreshing essay, Mori discusses balancing “the double calling” of being a writer and a teacher.
She writes, “It was evident that who I was inside, who I wanted to be, didn’t match the intentions of my body.
Outside, there was no little girl to be loved innocently.
I love memoirs and essays, so the genre of essay-length short memoirs is one of my favorite.
I love delving into the details of other people’s lives.
It’s smart, it’s funny, and it’ll break your heart a little as Koul describes “trying to find my mom at the bottom of a 20-quart pot.”This memoir essay is for all the girls who went through puberty early in a world that sexualizes children’s bodies.
Ford weaves together her experiences of feeling at odds with her body, of being seen as a “distraction” to adult men, of being black and fatherless and hungry for love.
She admits that teaching felt antithetical to her sense of self when she started out in a classroom of apathetic college freshmen.
When she found her way into teaching an MFA program, however, she found that fostering a sanctuary for others’ words and ideas felt closer to a “calling.” While in some ways this makes the balance of shifting personas easier, she says it creates a different kind of dread: “Teaching, if it becomes more than a job, might swallow me whole and leave nothing for my life as a writer.” This memoir essay is honest, well-structured, and layered with plenty of anecdotal details to draw in the reader.