Thesis Checklist Rpi

The journal publishes original articles, editorials and reviews to educate its readers, and to better understand, treat, and prevent neurological disorders.

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Practically my whole extended family is in academia, so it’s not really a surprise that I have also been drawn to teaching.

Pursuing the Ph D gives me the opportunity to open more doors in higher ed, build additional skills and experience, and come at comics and storytelling from another direction—to try to understand what our work can do once it gets out into the world and how readers interact with and are moved by it. I’m still figuring out what my dissertation will look like, but there will probably be some comics in it, and I will be making and experimenting with comics as a part of (at least some of) my research.

Luckily I had a fair bit of time over winter break to spend editing, and while things were slow at the beginning of the spring semester, we worked on the layout, ran the Kickstarter, and got edits out.

We decided to delay the printing until May so that we could give contributors a little more time to wrap up their work and so that I could be fully engaged during that final sprint. I had been looking at different depictions of Batman, Hermione Granger, Sherlock Holmes and other characters over time and across media (including fan art) for a final paper.

Field Chief Editor Irene Litvan at the University of California, San Diego is supported by an outstanding Editorial Board of international researchers.

This multidisciplinary open-access journal is at the forefront of disseminating and communicating scientific knowledge and impactful discoveries to researchers, academics, clinicians and the public worldwide.

I was looking for four things when applying to programs: So there were lots of factors that led me to this program at RPI—although initially I was drawn more heavily to programs more specifically focused on media studies or art, this particular communication program checked all the boxes and really resonated with me. This past year the project I may have been most excited about was an art book I constructed from balsa wood, with shelves, a drawer and secret compartments containing comics that utilize thermo-chromic pigments to change the way the reader physically interacts with the work (the ink is opaque below about 76º Fahrenheit and fades away as it warms).

I presented the box at the University of Florida Annual Comics Conference on comics and materiality in April.

Though they may not be mass-producible, I’m really interested in crafting comics that are multi-dimensional and multi-modal, comics you can interact with in different ways, that you can touch, taste and smell.

How would it change the experience to be able to taste the story? To be immersed in the story in a different way, but to still be able to identify and understand that story to be a comic?


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